Shifty Science - Lab Works 91-96

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Intro To Lab Work

Lab Work 91-96 collects the work of Shifty Science - comprised of Chris Ike and John Kardaras, two Chicago producers with few records to their names, but a wealth of compelling unreleased material waiting in their archives. The 14 tracks on Lab Work are unusual hybrids of then-contemporary sounds, from Warp-influenced house to bold, dynamic nods to Detroit techno, as well as more assertive party-starting tracks and banging experiments. The digital compilation is accompanied by a vinyl release -- Versions For Modern Dancefloors -- a 12” of four Shifty Science tracks edited by Savile and Steve Mizek that reshape the raw materials to fit the needs of DJs, both in arrangement and sound quality. Included with purchase of Versions For Modern Dancefloors is a full color booklet featuring liner notes by Steve Mizek and a download code for Lab Work 91-96 that includes a bundle of digital extras.

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Lab Work Audiostuffs

Preview all 14 of the previously unreleased tracks included with Lab Work 91-96, each remastered by Dietrich Schoenemann.

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It’s 1991

Shifty Science is Chris Ike and John Kardaras, two Chicago-born producers who met as teenagers on Chicago’s north side in 1985. Brought together through a common love of Skateboarding, they shared musical interests as well, attending all-ages hardcore punk shows at Metro and listening to DJs mixing on WNUR Street Beat radio shows.

Chris and John were already familiar with beat music, nourished by new wave, industrial, and everything they heard at Medusa’s. Underground rent parties thrown by the likes of Derrick Carter helped spark their deeper interest in house and techno. The summer after John’s first year in college he and Chris realized their ambitions went further than attending parties, so in 1990 they decided to purchase their first gear. They bought a Kawai K1 keyboard, a Boss DR-550 Dr. Rhythm drum machine, and a Tascam Portastudio four-track recorder, to begin turning their late night inspirations into tracks. Despite their lack of musical training it wasn’t long before full songs were being composed. In 1993, the pair had their first release, Prove It, a split with JT Melody recorded at his Plastic Studios space. They also collaborated with DJ Ping, who introduced John to the Akai MPC. After they experimented with the device for almost 24 straight hours, the guys decided it was essential to making music and purchased the MPC60II to unlock their creativity.

Fostered by the DIY-centric punk scene, Chris and John had always aimed to self-release their music. That opportunity finally came in 1995 when they pressed From The Archives, drawing tracks from the previous few years. Although they managed to sell all 500 copies and get a generous mention in a 1996 issue of XLR8R, the duo struggled to find the spotlight. A collaborative release as Ping & Bas for I.H.R. followed in 1997, but by 1998 the pair’s resources were dwindling and output trailed off until it reached an end. One further track, “Going On And On”, would be released on Whitebeard Records in 2002.

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Photography by James Addler

No Clay Wheels

Like many young guys during that era, the pair bonded over skateboarding. The skate scene back then was just undergoing a post-1970's resurgence and became a way of life for John and Chris who lived and breathed skating every waking moment. An atypical day of skating would see them start out in the morning from the North Side of Chicago riding down to Windward Sports, a local skateboard shop in Wrigleyville where they would collect some other crew members and comrades. From there the group may have decided to head down to Oak Street Beach, a local skateboarding epicenter for a time, where kids from all across Chicago and the surrounding suburbs would routinely gather and congregate. Along the way, the rag tag bunch would often stop to hit some of the iconic spots like The Firehole and the Oscar Meyer School parking lot which was home to a fantastic assortment of DIY wooden launch ramps. There was an undeniable sense of freedom, and skateboarding embodied the spirit of raw exploration as the city opened up and became a giant playground.

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Shifty Science Discography:

J.T. Melody Presents Tina Reneé ‎– Prove It 
(features track “Unity Gain” & collaborative work “I Can Feel It”)
[Plastic Sessions] 1993

“Black Ant Productions – From The Archives
[Flex Records Inc. ‎– FLEX 001] 1995

Ping & Baz ‎– From The Archives EP
[International House Records] 1997

DJ FX & Joseph Hardtraxx ‎– Hard House ’98 Volume 2 (Check Tha’ Sound!) (features the track “Face Crack”)
[Street Records Inc.] 1998

Various Artists – Titans Vol. 1
(features “On And On” under the name Shifty Science)
[Whitebeard Records ‎– WBR-004] 2002

Bvdub / Shifty Science ‎– Same Boat, Different Sea / Love’s Not Fading
[Love’s Label ‎– Love’s Label #01] 2010

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